David Rogers writes about his work investigating mysterious symbols discovered in the front of a prayer book by Dr Emilie Murphy. In September 2021, I was doomscrolling twitter and spotted Dr Emilie Murphy’s tweet asking if anyone recognised this text. I was immediately interested and contacted her to discuss further. Emilie explained that …
Voices from the Past: The Mystery of the Prayer Book Cipher Read More »
Wednesday 27 April 2022, 17.30BST Virtually everyone knows what race looks like. But what does race sound like? And what does race sound like in Shakespearean drama, on the page or on the stage? During this talk, Dr David Sterling Brown will discuss, in relationship to Shakespeare’s dramatic literature, the “sonic colour line” and …
David Sterling Brown: Do You Hear What I Hear? Shakespeare, Race and the “Listening Ear” Read More »
Over the last few years, the soundscapes network has been working with Speke Hall, a National Trust property on the outskirts of Liverpool that was built by the Catholic Norris family in the sixteenth century. The acoustic space of the building connects to the Norris family’s faith: you can read my previous post about the …
‘The common folk… live on songs’: Reflections on Hilary Mantel’s Mirror and the Light. In this blog, I wanted to share some of my musings on the role of song in Hilary Mantel’s Mirror and the Light, which I chatted about earlier this Summer as part of ‘Cardiff BookTalk’. For anyone that would prefer to …
‘The common folk… live on songs’: Reflections on Hilary Mantel’s Mirror and the Light. Read More »
In this blog I want to draw attention to all of the fascinating research on early modern sound that is currently available for attendees of Virtual RSA to listen to until 23 May 2021. (I was making a version of this for myself and I thought I’d share it with you all as well! Happy …
‘Close your eyes, it’s the 17th century and you are awaiting a sermon at the York Minster. Who is speaking? How are they speaking? What are they saying? What does it sound like? What sounds can you hear in the background? These are some of the questions that the field of historical soundscapes studies reflects …
I first looked at proclamations during the middle stages of my doctoral research, after becoming drawn to the way they mirrored the other spoken or ‘performed’ media of later seventeenth-century Scotland that I was already writing about. Like official celebrations, public executions, and even many seditious protests, proclamations were staged at burgh mercat crosses and …
Hearing proclamations in seventeenth century Scotland Read More »
Accents accrue strong connotations over time and qualify speakers as powerfully as other markers of identity, such as gender, class, ethnicity or race. Very much like attitudes to other markers of identity, attitudes to accents are in a state of constant flux, and phoneticians regularly trace the inevitable decline in the prestige value attributed to …
In this period of social distancing, videos of people singing together from their balconies appear everywhere on our social media. Some balconies house better performers than other balconies, but it doesn’t really matter whether your voice sounds like Cecilia Bartoli’s or whether you’ve only ever sung in the shower. What matters is that the singing …
Bells probably represent the sound that is considered most characteristic for the medieval sonic environment (also called: soundmark). In the Middle Ages, bells were omnipresent and omni-audible. Bells represent an era, or so it is generally believed. True, the role of bells in medieval society was much larger than it is today, and we cannot …