David Teniers the Younger (Flemish, Antwerp 1610–1690 Brussels)


The network has organised three interdisciplinary workshops that each focus on distinctive aspects related to the study of soundscapes. At these workshops, we will explore theories, identify research methods and establish modes of finding evidence relating to past soundscapes.


Workshop 1: The Architecture of the Soundscape
22-23 March 2019, Green College, University of British Columbia, Vancouver

This workshop examines how sounds and spaces shaped early modern identities. Speakers will consider how different locales and national settings mediate how sounds were received. We will address how the sounds of the city, or the country house, or the cloister, governed daily life. The workshop will also consider the role sound had in the pageantry of power, diplomacy, theatrical spaces and religious ceremony. We will explore how the acoustical circumstances of performance differ in different spaces, and whether there is a difference between the ‘staged’ sounds heard in the church, the playhouse, or a musical performance in comparison to the ‘incidental’ sounds of the street.

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Workshop 2: Archiving the Soundscape
19-20 September 2019, Wellcome Collection, London

Researchers of historical sounds are beholden to the materials in which their remnants are preserved; these sources include print, manuscript, and works of art. In this workshop, we will address what we can learn from text, notation, and art about how sound was received. We will ask what issues arise from the archives when we consider non-aural media and the relationship between space, sound and identity. The workshop considers how portraiture and paintings visualise sound and why. We will discuss why scholars tend to consider words, perhaps especially ballads, as a textual form, even when they are intended to be spoken and sung aloud. Through exploring materials from the Wellcome Collection's archive, and from a selection of papers that address broader concerns about archives, sound and hearing, we will discuss what the printing of words and music and the painting of sonic interactions implies about the potentiality of sound and how we engage with transitory sounds that have already been heard.

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Workshop 3: Sound Affects
23-24 April 2020, The Treehouse, The University of York

This final workshop builds upon our exploration of the sites, spaces and archives of sound to explore how people act on sound and sound on people. We will consider the evidence we have regarding the ways individuals responded to sounds. Bringing in scholars who work on sound studies beyond the early modern period, we will ask how sounds connect to sensory experience, emotion, the body, race, gender and disability. The workshop will also explore how we profit from practice-led approaches such as musical performances and digital reconstruction.


more details Sound Affects I...
more details Sound Affects II...

For further details, please contact the Lead Investigators:

Dr Rachel Willie
Principal Investigator
Reader in Early Modern Literary Studies
Liverpool John Moores University
L3 5UZ


Dr Emilie Murphy
Lecturer in History
The University of York
YO10 5DD


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