Blog

Tess Knighton: How Processions Moved

  Tess Knighton (ICREA-Universitat Autònoma de Barcelona), ‘How processions moved: emotional discourses in civic ceremony in early modern Europe’. Chair: Rachel Willie (LJMU)   Feature image: ‘Saint Agnes’ (one of a pair) mid-16th century, possibly by Diego de Tiedrac 

Read More »

Cathedral Acoustics in Early Modern England: Exploring and Recreating the Sounds of the Past

‘Close your eyes, it’s the 17th century and you are awaiting a sermon at the York Minster. Who is speaking? How are they speaking? What are they saying? What does it sound like? What sounds can you hear in the background? These are some of the questions that the field of historical soundscapes studies reflects…

Read More »

Hearing proclamations in seventeenth century Scotland

I first looked at proclamations during the middle stages of my doctoral research, after becoming drawn to the way they mirrored the other spoken or ‘performed’ media of later seventeenth-century Scotland that I was already writing about. Like official celebrations, public executions, and even many seditious protests, proclamations were staged at burgh mercat crosses and…

Read More »

What’s in an Accent?

Accents accrue strong connotations over time and qualify speakers as powerfully as other markers of identity, such as gender, class, ethnicity or race. Very much like attitudes to other markers of identity, attitudes to accents are in a state of constant flux, and phoneticians regularly trace the inevitable decline in the prestige value attributed to…

Read More »

Singing in the time of Corona

In this period of social distancing, videos of people singing together from their balconies appear everywhere on our social media. Some balconies house better performers than other balconies, but it doesn’t really matter whether your voice sounds like Cecilia Bartoli’s or whether you’ve only ever sung in the shower. What matters is that the singing…

Read More »

Bells, bells bells: a medieval soundmark?

Bells probably represent the sound that is considered most characteristic for the medieval sonic environment (also called: soundmark). In the Middle Ages, bells were omnipresent and omni-audible. Bells represent an era, or so it is generally believed. True, the role of bells in medieval society was much larger than it is today, and we cannot…

Read More »

Scroll to Top